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Atomos Ninja V Monitor Recorder 4KP60 ready

Art.nr 5705505
Pris5 699
Grundpris6 990
I lager
Produktfråga

Vad vill du veta om Atomos Ninja V Monitor Recorder 4KP60 ready?

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Record like a Ninja:

Record up to 4Kp60 10-bit HDR video direct from your camera's sensor, over HDMI 2.0. Store edit-ready ProRes or DNxHR on affordable SSD drives and bypass your cameras internal compression and record time limits. A tiny 1TB AtomX SSDmini will give you 2.5 hrs of 4K recording.

The SSD ... made Mini:

The new AtomX SSDmini is a little over 1/4 inch tall and 3" long. It is also 20% shorter than traditional SSDs, yet keeps the standard SATA III connector. It is backward compatible with previous Atomos drives by adding a clever extension handle. These tiny, slimline SSDs are a true innovation and our close drive partners Angelbird, G-technology and Sony are all making custom versions for your Ninja!

Small Monitor made perfect:

The stunningly bright 5.2-inch 10-bit HDR monitor has an astounding 1,000 nits of output. It’s a sleek 1” (2.5cm) aluminium body, is crafted for maximum durability, weighs in at just 11oz (320g), and attaches to any camera rig easily.

HDR/SDR perfection every time:

The Ninja screen displays a stunning 10+ stops of dynamic range in realtime from Log/ PQ/HLG signals. Clearly see your images in daylight on the near edge-to-edge anti-reflection screen. The display can be calibrated for perfect color accuracy every time, with playout to HDR or SDR TV sets.

Record HDR Games:

4kp60 or HDp240 Game Recording just became fun and simple from any HDMI gaming unit. Place the Ninja V in-between your unit and the TV, and record for hours to off-the-shelf SSD drives. Auto HDR flags mean perfect TV set up every time! Show off your skills or check your game development on the most stunning video recorder ever built!

AtomOS Tools and Pocket Size Playback:

AtomOS gives simple tools for accurate set up and one-touch operation, ensuring a great recording every time. Of course, a recording isn't 100% complete until checked; AtomOS gives speedy playback, slow motion and frame-by-frame analysis for instant review.

Ultimate Pro-Video & Broadcast Monitor:

Any production large or small needs high quality viewing. Even if you aren’t recording, the Ninja V is the best monitor available today. Audio can be input directly from the camera digitally via HDMI, or fed in analogue via a stereo 3.5mm line/mic socket – especially useful for cameras that do not have a mic input.

Edit, finish & upload on Mac & PC:

The recorded Ninja files are available immediately on your Mac or PC for editing. Tag while recording on the fly for direct-to-edit look-up with up to six streams, edited directly from the SSD in Final Cut Pro X, Adobe Premiere or Avid Media Composer. Video and gaming workflows are supported for the fastest path to your audience.

Endless Open Expansion:

Enhance the Ninja V through the in-built modular expansion slot. Bi-directional high speed video, audio and power are available. Expansion modules will dock onto the battery slot of the unit and offer advanced features.

 

 

Technical data:

Weight:

Without batteries & media 320g / 11.28oz

With stand 6.0kg / 13.2lb

Dimensions (W x H x D mm) 151 x 91.5 x 31mm

Construction  Aluminium alloy chassis with ABS polycarbonate back plate

Mounting points 1/4-20 UNCscrew mount; 1x top, 1x bottom

 

Power:

Operating power 10 - 19W

Compatible batteries NP-F series and supporting accessories

Input voltage (battery) 6.2V to 16.8V

Battery time  (based on 2 x 7.4V) 5200mAh - up to 2hrs (monitor & record 4K +60p)

7800mAh - up to 3hrs (monitor & record 4K 60p)

DC In

Continuous power (Patent pending) Continuous power with external adaptor

 

Touchscreen:

Size 5”

Resolution 1920 x 1200

PPI 427

Aspect ratio 16:9 native

Colour Gamut REC709 HDTV

Look up table (LUT) support 3D LUT (.cube format)

Anamorphic de-squeeze 2x, 1.5x, 1.33x, Panasonic 8:3

Technology SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit

 

HDR:

AtomHDR Yes

Supported Log formats Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,

Panasonic Vlog, JVC JLog, Red LogFilm

HDR Recording (Gamut) Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3,

Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320

/ LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /

LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog,

JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm

Flog, PQ10k, HLG

HDR Monitoring (Gamma) Sony SGamut / SGamut3 / SGamut3.cine / BT2020

Canon Cinema / DCI P3 / DCI P3+ / BT2020

Panasonic V Gamut

Arri Alexa Wide Gamut

Rec709

JVC LS300

Red DragonColor / DragonColor2 / RedColor2 /

RedColor3 / RedColor4 / RedWideGamut

HDR Monitoring (Gamut) Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020

/ DCI P3 / DCI P3+ / Panasonic V Gamut / Arri Alexa Wide Gamut) mapping to

Rec709 on screen Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema

/ BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / Arri Alexa Wide Gamut) mapping to Rec709 / BT2020 / DCI P3 on loop out

Bit depth 10-bit (8+2 FRC)

Brightness 1000nit (+/- 10% @ center)

HDR input (PQ/HLG) Yes / Yes

HDR output (PQ/HLG) Yes / Yes

 

Video Input/Loop Out:

HDMI 1 x HDMI (2.0)

Signal Uncompressed true 10-bit or 8-bit 422 (camera dependent)

 

Video Output (Play Out):

HDMI 1 x HDMI (2.0)

Signal Uncompressed true 10-bit or 8-bit 422 (playback file dependent)

 

Supported Loop Out Formats:

HDMI to HDMI 720p 50/60, 1080i 50/60,

1080p 24/25/30/50/60/100/120

2160p 24/25/30/50/60

 

AtomXpansion Video Audio Power Extender In/Out:

Video Up to 4Kp60

Audio 12 channels digital 24-bit 96KHz

Power 5V-16.6V

 

Supported Codecs & Frame Rates (Record & Playback):

Video to ProRes / DNxHR Apple ProRes HQ, 422, LT AVID DNxHR HQX. HQ, SQ, LB

4K DCI; 24/25/30/50/60p

4K UHD; 24/25/30/50/60p

2K (DNx utilizes a .MOV wrapper)

1080p; 24/25/30/50/60/100^/120^

1080i; 50/60i, 720p; 50/60p

 

Onboard Processing:

Pulldown removal 24/25/30pSF > 24/25/30p (2:2 pulldown)

60i > 24p (3:2 pulldown)

4K UHD downscale for HD monitoring Yes - Loop-out and playback

 

Audio In/Out (48kHz PCM Audio):

HDMI 2 or 8ch 24-bit, camera dependent

Audio Line in / Mic in / Headphone out 2ch 48kHz 24-bit

Headphone out 3.5mm

Built-in speakers Yes

 

Remote Start/Stop:

HDMI Auto HDMI Trigger

Supported Protocols - Canon, Sony, Atomos Open Standard

Other LANC control - Slave

 

Playback:

Playlist / Genlock / LTC Yes / - / -

CDNG (Recorded content) N/A

ProRes (Recorded content)  All recorded files can playback. Playback in slow motion.

DNxHR / DNxHD (recorded content) All recorded files can playback. Playback in slow motion.

 

Recording:

Pre-roll record Yes (HD 8s, 4K 2s)

Custom timelapse Yes

Meta data tagging Yes (10 tags available)

Supported media 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate.

Visit atomos.com/drives for list of tested and approved drives

Master caddy case Master Caddy II (included) 75mm x 105mm x 12mm

Master caddy dock 2.5” SATA to USB 2.0/3.0

Supported applications Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+

EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /

Autodesk Smoke 2015

XML support FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools

 

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